The Treatment

Actor and director Joel Edgerton often plays characters who question traditional notions of masculinity. His most recent role was as a soft-spoken logger at the turn of the 20th century in the film Train Dreams. The film is nominated for four Oscars, including Best Picture. For his treat, Edgerton celebrates the Welsh musician Ren, who talks openly about his mental health struggles in his music.

Actress Wunmi Mosaku’s performances often say so much in the pauses in dialogue from her work in Lovecraft Country to Loki, and the 2010 film I Am Slave. Mosaku’s latest role is Annie, a Hoodoo healer and the estranged wife of Smoke in Sinners. Her performance garnered her first Academy Award nomination for Best Supporting Actress, one of 16 nods for the film. Mosaku talks to Elvis about why she is attracted to characters who are seeking freedom, what self-affirmation has done for her, and how the moments before a character speaks are often the most revealing.

Josh Safdie’s films often show the claustrophobic chaos of family life. His kinetic film Marty Supreme received nine Oscar nominations including Best Director and Best Picture. For his treat, he talks about a 1979 Oscar-winning film he used to navigate the chaos he was experiencing as a child.

Guillermo del Toro’s films often show the beauty even in their, at times, gothic horror. His latest is the Oscar nominated adaptation of Frankenstein, which is up for nine awards next month, including Best Picture. For del Toro’s treat, he celebrates the late director Ken Russell. Russell’s work often stoked controversy and was even censored, but as del Toro notes, it was also filled with dazzling beauty and craft.

The films of Yorgos Lanthimos cannot be neatly summed up and often take the viewer in surprising and unexpected directions. He’s the mind behind The Lobster, Poor Things, The Favourite and his latest, Bugonia. The film, starring Emma Stone and Jesse Plemons, is up for four Oscars including Best Actress and Best Picture. Lanthimos tells Elvis why he enjoys working with non-professional actors, how Emma Stone prepared for the layered role, and why he likes a film that doesn't give all the answers. 

Director Joseph Kosinski’s films don’t exactly scream quiet solitude. He’s helmed the action packed Tron, Top Gun: Maverick  and most recently, the Oscar nominated F1, starring Brad Pitt. However, his films’ protagonists often have to do battle with themselves in the end. For his treat, Kosinski goes back to a painting he discovered as a young man in New York that captured the loneliness of being a director.

Sinners is now the most Oscar nominated film ever with 16 nods including Best Picture, Best Director, and Best Original Screenplay. In 2025, Ryan Coogler sat down with Elvis for an extended conversation about the film. Elvis and Coogler delve into the musical spark behind Sinners, why his characters often have a complicated relationship with home, and why he sees films as an exercise in contrast.

Elvis welcomes Iranian director Jafar Panahi, whose film It Was Just an Accident received two Oscar nominations for Best International Feature Film and Best Original Screenplay. The film earned critical acclaim when it won the Palme d'Or at the 2025 Cannes Film Festival. He talks about the obligations of a socially engaged filmmaker, letting the audience be the judge of his films' morality, and how he approaches casting.

Oscar nominated director Darren Aronofsky doesn’t shy away from gritty realism. From the ugliness of drug addiction in 'Requiem for a Dream' to the frightening discipline of a ballerina in 'Black Swan' to his latest thriller, 'Caught Stealing' starring Austin Butler. The film takes place in the pre-gentrified New York City of the 1990s. For his treat, Aronofsky pays tribute to another film that captured the dark side of the city as the backdrop for a bored guy’s never-ending night.

Elvis welcomes director Josh Safdie whose latest project is the ambitious Marty Supreme. The film stars newly minted Golden Globe winner Timothée Chalamet as the hustling, talented table tennis player Marty Mauser. Safdie talks about why he used ‘80s music in a film set in the ‘50s, Chalamet’s crazy year of playing Bob Dylan and the fictional — but inspired by real life character — Marty Mauser back to back, and why he likes to keep the camera loose.

Actress Emily Blunt’s career has taken her from working with iconic actors, including Meryl Streep and Tom Cruise to playing iconic characters, such as Mary Poppins. Her latest role has her going toe to toe against one of the biggest stars of the screen. She plays real life Dawn Staples in The Smashing Machine opposite Dwayne Johnson and was nominated for a Golden Globe for her performance. For her treat, Blunt pays tribute to the inspiring (and mildly inappropriate films) that shaped her childhood.

This week on The Treatment, Elvis welcomes back Emmy, Tony, and Grammy-winning actress Cynthia Erivo. She’s hoping to add Golden Globe winner to that list this weekend as she’s up for Best Actress in a Musical or Comedy for her role as Elphaba in Wicked: For Good. Erivo discusses playing characters with duality, how Elphaba matures in the Wicked sequel, and the quiet, powerful moments she loves most from the film.

 Actor Dwayne Johnson is crushing expectations with his latest role as an MMA fighter in 2025’s The Smashing Machine. He’s up for a Golden Globe for his raw portrayal of the real life Mark Kerr. For his treat, Johnson celebrates those closest to him and this new, exciting chapter in his career.

This week on The Treatment, Elvis welcomes back actor and director Joel Edgerton. He recently earned a Golden Globe nomination for his role in Netflix’s Train Dreams. He's also appearing in the psychological thriller The Plague, now in theaters. Edgerton discusses his character's physicality in Train Dreams, the strong female characters in the film, and why he is drawn to parts that explore the complexity of masculinity.

This week on The Treatment, Elvis talks with Golden Globe nominee Emily Blunt. She recently got a nod for her supporting role as Dawn Staples opposite Dwayne Johnson in The Smashing Machine. Blunt talks about her joy working with Johnson on the film, the challenges of playing a real person, and the impact of working through her childhood stutter.

Actor Jason Isaacs has had a long, pigeon-hole proof career with meaty roles from the villainous Lucius Malfoy in the Harry Potter films to Colonel Tavington in The Patriot. Isaacs’ role as a tormented father in season three of the HBO series The White Lotus earned him a Golden Globe nomination and a primetime Emmy nomination earlier this year. However, it’s an early role on stage that he cites as a highlight of his career and a very tough act to follow.

Kate Winslet’s directorial debut Goodbye June was written by her son, Joe Anders. The film centers on a multigenerational family as they say goodbye to the matriarch, June, who is dying of cancer. Elvis talks with Winslet about bringing her son's script to the screen, her cinematic inspirations, and the personal experiences that made their way into the film.

The late director Rob Reiner’s prolific talents spanned medium and genre. Reiner started out as an actor on Norman Lear’s classic sitcom All In the Family. He then made the transition to behind the camera with ease, directing comedic gems including This is Spinal Tap, When Harry Met Sally, and The Princess Bride. He proved equally adept at drama with Stand by Me and Misery. For The Treat, Reiner paid tribute to a multi-talented inspiration whose influence stayed with him his whole life — his father, Carl.

This reflection was recorded in September and is being released for the first time.

Elvis talks with Oscar, Emmy, and Tony-winning costume designer Paul Tazewell whose latest work is on full display in Wicked: For Good. Tazewell talks about working with Cynthia Erivo in the Wicked films; the story behind Bernardo's suit in the Stephen Spielberg directed remake of West Side Story, and he talks about bringing the personal into his designs.

This week on The Treatment, Elvis speaks with Oscar-winning director Guillermo del Toro about his film adaptation of Mary Shelley's Frankenstein. Del Toro talks about filming Oscar Isaac like he was a rock star, how Jacob Elordi stepped in quickly to take on the role of the monster, and why he sees the story as "catholic" in many ways.

Actor Greg Kinnear has starred in dozens of roles on film and TV from his breakout role in 1995’s Sabrina, to his Oscar nominated role in As Good as It Gets alongside Jack Nicholson, but he actually got his start in broadcasting. Kinnear hosted E!’s Talk Soup and the late-night talk show Later with Greg Kinnear. For his Treat, Kinnear pays tribute to the people who showed him the ropes for his first on-air gig.

This week on The Treatment, Elvis speaks with actor, producer and all-around Hollywood powerhouse Dwayne Johnson aka "The Rock.” Johnson stars in the new Benny Safdie film The Smashing Machine alongside Emily Blunt where he portrays real life MMA fighter Mark Kerr. Johnson talks about going deep for the role, performing the role of "The Rock," and what he wants to tackle next in his career (hint: everything!).

Director Joshua Rofé’s unforgettable HBO documentary series The Mortician, about an unethical family-run funeral home, left its mark on audiences. For his treat, Rofé pays tribute to the underrated 1977 William Friedkin film, Sorcerer. Rofé recalls his first time watching it in a theater and breaks down why it’s possibly the best thriller of all time.