Host Frances Anderton looks at design and architecture from a Los Angeles perspective.
Roman Mars has spent 10 years using his radio show “99% Invisible” to reveal the everyday quirks and delights of cities. Now he’s co-written a book called “The 99% Invisible City: A Field Guide to the Hidden World of Everyday Design.” Mars talks with DnA about tales from LA, writing for print v. radio, and whether he secretly yearns to be a designer.
Americans are experiencing an epidemic of loneliness. A coliving project in Hollywood was designed to remedy it. Then came a pandemic.
Ten months after its opening, DnA explores the design of Treehouse with creative director Sean Knibb, architect Jeff Soler, and reporter Adriana Cargill. Some residents also share how the project just might be what the doctor ordered at a time of extreme isolation.
California has around 21,000 licensed architects, and 300 of them are Black. SoCalNOMA (National Organization of Minority Architects) hopes to change that through its Diversity, Equity, and Inclusion Challenge. SoCalNOMA President Lance Collins also talks about decolonizing architecture education and finding an African American architectural language.
Computer engineer William English made the mouse a reality. His son John reflects on his father’s work, how William English felt about Apple’s version of the mouse, and how the mouse got its name.
Desert X started in Coachella Valley, and now it’s in Al Ula, Saudi Arabia. Los Angeles artist Lita Albuquerque shares why she chose to participate amidst a furor back home, saying she couldn't miss being in the country at a "historic moment" of dramatic change, especially for women.
Frieze LA is back for a second outing, bringing a bonanza of art fairs. But not all artists are excited about it. Aaron Axelrod says Frieze contributes to rising housing costs and is making the LA art scene "a little more snooty and less fun." Art critic Jonathan Griffin says the entire art community benefits from the blue chip fair.