Dem Vinyl Boyz Ep. 03 - Midnight Marauders

This week the Vinyl Boyz drop the needle on the 90s classic hip-hop record from A Tribe Called Quest titled Midnight Marauders. Released on November 9, 1993, by Jive Records. John “Q-Tip” Davis a.k.a. Kamaal Fareed, Malik “Phife Dawg” Taylor, and Ali Shaheed Muhammed had already earned the adoration of dedicated hip-hop heads and fans of other genres with their previous projects. But with Midnight Marauders, they cemented their legend. Tribe were in a difficult position when working to put together Midnight Marauders: how do you follow up literally one of the best hip-hop albums of all time? Following their debut People's Instinctive Travels and the Paths Of Rhythm (1990), their sophomore LP The Low End Theory (1991) showcased the group’s vastly improved production chops and rhyming abilities. With their second album, they created perfect music to chill and vibe out to. It was a masterful artistic achievement. This album we reviewed this week is ranked in the top 5 of all time when discussing the greatest hip-hop albums of all time. Commercially, Midnight Marauders is the A Tribe Called Quest’s highest selling album. The album sold over 1,000,000 copies within it’s first year, making it a platinum hit. It also peaked #70 on the UK album charts, #8 on the Billboard 200, and took the top spot Top R&B/Hip Hop chart. A lot of the album’s success is due to its timeless classic of a single “Award Tour” which peaked at #47 on the Billboard Hot 100. It’s influence has spanned decades with the track being referenced by the likes of Wale, Kanye West, Common, Azealia Banks, and Justin Timberlake. Recording sessions for the album occurred at Battery Studios, Platinum Island Studios and Scorcerer Sound in New York City. Its production was mainly handled by Q-Tip, with contributions from Skeff Anselm, Large Professor and the group's DJ, Ali Shaheed Muhammad. A culmination of the group's two previous albums, it features an eclectic, gritty sound based on jazz, funk, soul and R&B samples, in addition to socially conscious, positively-minded, and humorous lyrics. Thanks for listening. Next week we will be reviewing Metallica's Black Album from 1991. Please subscribe and tell your friends about us!

DEM VINYL BOYZ

Before music lived in the cloud, it lived in our hands.

It came wrapped in artwork big enough to study, tucked inside a paper sleeve, and carried the faint smell of cardboard, dust, and time. You lowered the needle, heard that first warm crackle, and for the next forty minutes, the album had your complete attention.

For years, vinyl lovers were told they were stuck in the past. While the world raced toward CDs, downloads, and endless digital playlists, Dem Vinyl Boyz kept moving at 33⅓ RPM—saving the records, protecting the sleeves, and never forgetting that music was meant to be experienced, not skipped.

Turns out, vinyl never died. It was only waiting for the rest of the world to slow down and listen again.

Each week, Dem Vinyl Boyz pull a classic album from the crates and take you back to the moment it entered the world. From the opening note of Side A to the final groove of Side B, they explore the songs, the artists, the studio stories, the cultural impact, and the little-known details that transformed a collection of tracks into a legendary album.

This isn’t just a review. It’s a musical time machine.

It’s the sound of sliding a record from its jacket. The anticipation before the needle drops. The lost art of listening to an album in the order the artist intended. And the memories that return the moment an old song begins to play.

So put on your headphones, pull up a seat beside the turntable, and rediscover the greatest music ever pressed into wax.

DEM VINYL BOYZ. DROP THE NEEDLE. HEAR THE HISTORY. RESPECT THE TECHNIQUE.